DrapeCutbeta flat patterns for woven cloth on compound curves

GUIDE

Shear angle and locking angle in woven composites

The two numbers behind a draping shear map: what shear angle is, what it does to the laminate, where the locking angle comes from, and what to do when a ply goes past it.

Shear angle

In the undeformed cloth the warp and weft cross at 90°. After draping they cross at some smaller angle, and the shear angle is how far the crossing has closed: 90° minus the angle between the tows. A cell at 0° is a square; at 45° it is a rhombus with a 45° corner; at 90° the tows would be lying on top of each other. DrapeCut reports it without sign, because the cloth does not care which way the rhombus leans.

Shear is not cosmetic. As the crossing closes the same amount of fibre occupies less area, so:

Locking angle

Trellis shear is cheap at first: the tows pivot about each other and the only resistance is friction at the crossings. As the angle grows the tows are pushed sideways into their neighbours until they touch, and from then on shearing further means compressing the tows themselves. That transition is the locking angle. Past it the cloth would rather buckle out of plane, and it wrinkles.

The locking angle is a property of the particular cloth: how wide the tows are relative to their spacing, how the weave lets them move, and how the sizing and any binder hold them. A plain weave, with every tow interlaced at every crossing, locks early. A twill, whose tows float over two before going under, locks later. Satins with longer floats go later still. Heavier tows in the same weave lock a little earlier because there is less gap to close. The values are indicative; a picture-frame or bias-extension test on the actual roll is the way to know.

Indicative locking angles

These are the values DrapeCut's weave list uses, with the tow pitch that goes with each. Choosing a weave in the tool sets both.

GroupWeaveLocking angleTow pitchAreal weight
CarbonPlain 1k · 90 gsm28°1.0 mm90 gsm
CarbonPlain 3k · 200 gsm30°2.0 mm200 gsm
Carbon2×2 twill 3k · 200 gsm45°2.0 mm200 gsm
Carbon2×2 twill 6k · 400 gsm44°3.0 mm400 gsm
Carbon2×2 twill 12k · 600 gsm42°4.5 mm600 gsm
Carbon4H satin 3k · 285 gsm48°2.0 mm285 gsm
Carbon5H satin 3k · 285 gsm52°2.0 mm285 gsm
Carbon8H satin 3k · 375 gsm57°2.0 mm375 gsm
Spread tow & heavySpread tow plain · 160 gsm22°12.5 mm160 gsm
Spread tow & heavyPlain 12k · 600 gsm28°5.0 mm600 gsm
Spread tow & heavy2×2 twill 24k · 800 gsm40°6.0 mm800 gsm
Glass & aramidE-glass plain · 300 gsm32°1.5 mm300 gsm
Glass & aramidE-glass 2×2 twill · 300 gsm47°1.5 mm300 gsm
Glass & aramidAramid plain · 170 gsm26°1.5 mm170 gsm
Glass & aramidAramid 2×2 twill · 170 gsm42°1.5 mm170 gsm
UnidirectionalUD carbon · 150 gsm15°2.0 mm150 gsm
UnidirectionalUD carbon · 300 gsm15°3.0 mm300 gsm
UnidirectionalUD E-glass · 300 gsm15°2.0 mm300 gsm

Reading the shear map

0°
lock
past lock

Every cell of the net is coloured by its shear: grey at zero, gold at 55% of the locking angle, red at the locking angle, dark red beyond it. The same colours are painted on the flat pattern so the trouble spots are visible on the template. The panel reports the maximum, the number and percentage of cells past lock, and the coverage.

Flat cutting pattern for the deep dish sample
A bowl deeper than a hemisphere, draped with a 45° locking angle. The dark red on the diagonals is where a 2×2 twill will jam and buckle before it reaches the rim.

What to do about cells past lock

Open DrapeCut